“Holy shit man ! My legs are killing me and I hate these fuck’ing crutches, I’m sick and tired of this bullshit man ! Where the fuck did my life go? Believe it or not, I was young man once, full of piss and vinegar, wild hair and just fuck’ing crazy at times, but that was when I was a young man once. I stole motorcycles, drank beer before I was 16 and howled at the moon, I was a chick magnet reeling them in like bees to a honey pot, I was the stud, brash and brazen, but that was when I was young man once. I smoked Marlboro Red’s and worn button fly Levi’s jeans and combed my hair with Brylcreem. I had a need for speed with asphalt scares to prove it, but that was when I was a young man once. I sacked grocery at Safeway and bought my first car, a 49 Ford. It was my Hot Rod with stolen Baby Moon Hubcaps, Roll-and-Tuck black leather seats and a Hurst shifter topped with a pool hall 8 ball…do you want to drag and hear my Glasspacks? I was reckless and insane at times but beer was my friend when times got tough. Let me tell you this, I never wore a watch because I had all the time in the world, but as I grew older, or should I say when my body grew older, I lost some abilities to do as I please. But deep within me is a spirit that is harum-scarum and ready to fight…. even if it’s with the aid of these damn crutches. I was a young man once full of piss and vinegar.”
“Hey man ! It’s all about infinite reflection isn’t it? We ask for an eternal embrace after our rite of passage, but like string theory it’s always about getting the right vibe. The vibe man, the vibration of energy from someone who believes in the third eye… Jesus! I sound so woo woo or stoned. Which reminds me, back in the day I use to watch wonky Dance Fever on tv while stoned….popping Tootsie Rolls and caramel popcorn, man oh man! Maui Wowie! Good shit back then.
Jesus! Dance Fever man, hosted by that baby face and swarthy Adrian what’s his name of T J Hooker and Captain Kirk. “Where no man has gone before.” Oh yeah, been there in the cerebral abysses man, damn near didn’t come back. Got to go man, have a date at Pink’s Hot Dogs, peace brother.”
“I just really want to tell you right now Enzo, that it is extremely plausible that you have created your own world and the illusion is that you are a neurotic mess because your mother was a neurotic mess. You think to much and feel to little, now go home and eat some prosciutto, drink some vino and take a nap.”
Sitting here in La, La, Land I can see how you would believe that a gluten free diet and drinking green veggie smoothes is the answer to all your worldly woes. It’s a lie sweetheart, what really works in this world is a pack of Marlboro red, a cup of coffee and a buttermilk donut. Listen sunshine, there is no guarantees in life, this is it, this is all you get. Honey, you and I are living in a temporary parking lot between Nativity Lane and Sunset Boulevard.
We are the little people, faceless and sad, we accumulate at a bus stop near Sunset and Sad, as you can see we wait for a bus that will never drew near. We are surrounded by the artificial glitter of the Stars, which provides the illusion of certain happiness which seem more real than where we are. We see the failed sitcom stars and the whole fragile scene as the dumpsters are filled with broken dreams.
Architectural photography is not my first choice for an assignment; I’m more of a run-and-gun photographer. But from years of overseas and domestic assignments I came to the realization that the kinetic structure of my knees are deteriorating and the pace of my stride is slowing. I live in my past as most men do my age, but reality is insidious and has a way of redirecting ones life. In a conversation with my brother Mark we discussed reinvention, evolution and acceptance as we age. I’ve witnessed him overcome incredible odds in La La Land (Hollywood) to becoming a very successful Producer while all along maintaining his integrity – which is the cornerstone of character. He now lives in the great Northwest freeing his spirit from the tragic and deviant characters of Hollywood. As T.S. Eliot said,
“We shall not cease from exploring,
And the end of our exploring
Will be to arrive where we started
And know the place for the first time.”
How appropriate, only recently has Mark rediscovered his passions that have lied dormant for several decades. One of which is using his hands to build and create – he is the only man I know who has built a home from the ground up.
So what does all this have to do with Architectural photography? My assignment was to photograph an older building that is being refurbished, redecorated and rehabilitated. While editing the images I suddenly became aware of the building name, Keystone, which is the central stone at the summit of an arch locking the whole together. I think of the camera as my cornerstone, holding my perception of the world together with its steel, plastic and glass.
I have heard that Architecture is like frozen music and is assembled in light that fills an empty space. So, are we architects of our own life? We lay our foundation in youth with education and life experiences as we try desperately to avoid the pitfalls as we whimsically journey to completion. It becomes apparent as we age to measure the space and spiritual dimensions of our past, the games we played and the poetic inventions of our heart. For some of us, we did this without a blueprint and struggled, but quickly learned that for every new situation and issue requires new architecture. Unlike Rip Van Winkle who wakes from the glassy bosom of Ale to find that twenty years have past, I woke to reinventing with a solid foundation to breaking new ground.
As she posed and continued to smoke she tells me, “I have more than once made contact with the pavement and it wasn’t so gingerly either, the last time was at the corner of Fairfax and Beverly.”
She paused, took the last drag of her cigarette and dropped it on the concrete between her battered boots.
“Strange how the world looks from the ground up, I once saw an ostrich too.” She said
“All well, life has no obligation to give us what we expect.”
From the Banks-Soulam family to yours, we wish you all a very Merry Christmas and with current events as they are, for “GOD’S SAKE” we all could use a better year to come. A special blessing and thank you to my Irish cousins who have graciously allow this Scotsmen to share their Irish Blessing and their much loved Irish song “The Season’s Upon US” with you.
Enjoy my friends, travel well, travel safe. Cheers, Dave
May the road rise to meet you,
May the wind be always at your back.
May the sun shine warm upon your face,
The rains fall soft upon your fields.
And until we meet again,
May God hold you in the palm of his hand.
Cue The Camels, Chapter 6: Rucksack Essentials: La Musica
The passenger window is tinted yellow from years of cigarette smoke with a vertical crack in the shape of lighting running down the middle of the pane. The crack was probably formed either in the sport of shadow boxing or someone was having a really bad day of frustration. The window is stuck midway up allowing for a blast of hot air with the familiar smells of diesel and earth filling the cab. I am in a good stare as the terrain charges by wondering which biblical figures walked here and which battles from the Old Testament were fought. But it is difficult to ponder these questions when my Israeli driver Ya’akov’s radio and cassette player screams with Anthony Newley’s torch song “What Kind of Fool am I.“ With both hands on the wheel and the ever present Marlboro dangling from his lips, Ya’akov belts out the song over-enunciating each lyric in his karaoke sing-along.
What’s in a name? Everything apparently, Ya’akov for us none Jews “Jacob” literally means heel-catcher or supplanter- a person who “lies in wait” for a situation to develop in order to take advantage of it. In Genesis of the Old Testament, Ya’akov is described as the person who wrestles with a mysterious man who turns out to be God Himself. That account perfectly describes the man sitting next to me singing off-key with Anthony Newley. A man of small stature, Ya’akov is built like a brick house with hands like baseball gloves. His eyes are blue and clear in spite of all that he has seen and experienced. But it is also through these eyes that Ya’akov is constantly searching the horizon for opportunities. For some, pop music is the demise of western civilization but for Ya’akov it was a blessing.Ya’akov embraced western pop music by teaching himself English off of Billboard’s Hot 100 music chart. That is why he strains so hard to pronounce each lyric. His accent is definitely Israeli but it switches to a bad Elvis impersonation when he curses out loud as the undercarriage of his truck scrapes the limestone rocks in the road. He still has difficulty with slang, like walkie talkies which we use on location. Ya’akov consistently would call the walkie talkies “okie dokies”. For the benefit of Ya’akov I have also taken to calling them “okie dokies” .
A veteran of the Six-Day war, Ya’akov has witnessed Israel’s history from the front-lines. At the end of the war he applied his military skills and knowledge of the back roads of Israel as a driver and guide for news and documentary crews. Ya’akov also has a side business of selling cartons of Marlboro cigarettes and Fanta Orange sodas to the Bediouns that camp in the Judaean Wilderness.
Somewhere on an old dirt road off Highway 79 near Nazareth in Northern Israel. Ya’akov maneuvers around bombshell-size potholes in his mini truck which is full of camera gear and is swaying almost rhythmically to the music from his cassette player. The goal is to find a location to film in the Israeli outback without power lines or any evidence of the 21th century. Ya’akov finds a good location to shoot from, pulls over and true to our tradition he proceeds to make us coffee on a small backpack stove. With the strong aroma of coffee filling the air we sit on the back tailgate sipping the black brew smoking cigarettes.
“Ya’akov” I said,
“Yes Da’vid” Ya’akov replies.
“How about another song?” I ask.
Without blinking Ya’akov jumps up and walks to the middle of the scarres and battered road and bellows out,“In-A-Gadda-Da-Vida, honey don’t you know that I love you? In-a-gadda-da-vida, baby Don’t you know that I’ll always be true?” As he
Jesus, Iron Butterfly, I think to myself, the song came out in May of 1968, right after the dust settled from the Six-Day War a perfect time for Ya’akov to start learning English. As the sunsets and Ya’akov keeps rolling out the hits, there is nowhere I’d rather be. “Hey, Ya’akov hand me your okie dokies, I’ll change the batteries for you. “
Cue The Camels available at: www.cuethecamels.com, www.oodlebooks.com, Also available at: Vromans Bookstore in Pasadena, California www.vromansbookstore.com/book/9780957438385, and Book Soup in Hollywood, California, booksoup.com/book/9780957438385