Traveler

I am a weary and a lonesome traveler
I’ve been a traveling long.

I’ve traveled near and I’ve traveled yonder
I’ve been a traveling long and traveled cold and then
I’ve traveled hungry. Lord, I’ve been a traveling long.

Yes, I’ve traveled with the rich and traveled with the poor
I’ve been a traveling long.

One of these days I’m going to stop all my traveling
Going to keep right on traveling on that road to freedom
Going to keep right on traveling long…

Cue The Camels, Chapter 6: Rucksack Essentials: La Musica

The passenger window is tinted yellow from years of cigarette smoke with a vertical crack in the shape of lighting running down the middle of the pane. The crack was probably formed either in the sport of shadow boxing or someone was having a really bad day of  frustration. The window is stuck midway up allowing for a blast of hot air with the familiar smells of diesel and earth filling the cab. I am in a good stare as the terrain charges by wondering which biblical figures walked here and which battles from the Old Testament were fought. But it is difficult to ponder these questions when my Israeli driver Ya’akov’s radio and cassette player screams with Anthony Newley’s torch song “What Kind of Fool am I.“ With both hands on the wheel and the ever present Marlboro dangling from his lips, Ya’akov belts out the song over-enunciating each lyric in his karaoke sing-along. Ya'akov-Driving-Sepia-Blog

What’s in a name? Everything apparently, Ya’akov  for us none Jews  “Jacob” literally means heel-catcher or supplanter- a person who “lies in wait” for a situation to develop in order to take advantage of it. In Genesis of the Old Testament,  Ya’akov is described as the person who wrestles with a mysterious man who turns out to be God Himself. That account perfectly describes the man sitting next to me singing off-key with Anthony Newley. A man of small stature, Ya’akov is  built like a brick house with hands like baseball gloves. His eyes are blue and clear in spite of all that he has seen and experienced.  But it is also through these eyes that Ya’akov is constantly searching the horizon for opportunities. For some, pop music is the demise of western civilization but for Ya’akov it was a blessing.Ya’akov embraced western pop music by teaching himself English off of Billboard’s Hot 100 music chart. That is why he strains so hard to pronounce each lyric. His accent is definitely Israeli but it switches to a bad Elvis impersonation when he curses out loud as the undercarriage of his truck scrapes the limestone rocks in the road. He still has difficulty with slang,  like walkie talkies which we use on location. Ya’akov consistently would call the walkie talkies “okie dokies”. For the benefit of Ya’akov I have also taken to calling them  “okie dokies” .Ya'akov-&-Okie-Dokie-Blog 

A veteran of the Six-Day war, Ya’akov has witnessed Israel’s history from the front-lines. At the end of the war he applied his  military skills and knowledge of the back roads of Israel as a driver and guide for news and documentary crews. Ya’akov also has a side business of selling cartons of Marlboro cigarettes and Fanta Orange sodas to the Bediouns that camp in the Judaean Wilderness. Ya'akov-and-me-Sepia-Blog

Somewhere on an old dirt road off  Highway 79 near Nazareth in Northern Israel. Ya’akov maneuvers around bombshell-size potholes in his mini truck which is full of camera gear and is swaying almost rhythmically to the music from his cassette player. The goal is to find a location to film in the Israeli outback without power lines or any evidence of the 21th century. Ya’akov finds a good location to shoot from, pulls over and true to our tradition he proceeds to make us coffee on a small backpack stove. With the strong aroma of coffee filling the air we sit on the back tailgate sipping the black brew smoking cigarettes.

“Ya’akov” I said,

“Yes Da’vid” Ya’akov replies.

“How about another song?” I ask.

Without blinking Ya’akov jumps up and walks to the middle of the scarres and battered road and bellows out,“In-A-Gadda-Da-Vida, honey don’t you know that I love you? In-a-gadda-da-vida, baby Don’t you know that I’ll always be true?” As he

Jesus, Iron Butterfly, I think to myself, the song came out in May of 1968, right after the dust settled from the Six-Day War a perfect time for Ya’akov to start learning English. As the sunsets and Ya’akov keeps rolling out the hits, there is nowhere I’d rather be. “Hey, Ya’akov hand me your  okie dokies, I’ll change the batteries for you. “

Cue-The-CamelsCue The Camels available at: www.cuethecamels.com, www.oodlebooks.com,  Also available at: Vromans Bookstore in Pasadena, California www.vromansbookstore.com/book/9780957438385, and Book Soup in Hollywood, California,  booksoup.com/book/9780957438385 

Yes, it’s a commercial but the words and video elegantly express how I feel about you – my family, my readers, my internet friends and connections. Instead of drowning when life overcomes me, I have found that in the lineup with you, your encouragement helps me catch the next big wave of life’s events. I paddle as hard as I can as the wave peaks taking ‘the drop’ down its face. But most of the time I just wipeout or bail only to recover and paddle back to you in the lineup to try again. It’s a ‘bitchin’ way to live life.
So, thank you to everyone.
Thank you to friends, first sponsors and groupies.
To all the Daniels, the Gustavos and the Jurgens.
To 4-degree waters. To flat days.
To bad boards, cheap boards, kind of boards.
Thank you to Kelly, for making it look too damn easy.
Thank you to the second title.
To 3am. 4am. 5am.
Thank you to the surf fascists and the locals only.
To the surf babes.
To the wild cards.
To those we miss.
Thank you to the haters, the bullies and the trolls.
Thank you to hashtag go Medina, hashtag **** Medina.
To pain.
To paradise.
To heaven, to hell, and everything in between.
Thank you to the pessimists, the non-believers, the party crashers.
To those who push you up or bring you down, thank you all.
Without You, I’m Nothing.

 

I slid my right boot then my left boot into the hole leading to the tomb’s tunnel. There was the soft, muffed sound of my pants sliding against the rough stone as my feet fell into the tomb. My knees passed and my thighs followed – which was as far as I got. I was stuck between two worlds. My companions started laughing before cheering me on. “Push! Push, Dave”. There was a scraping noise as my 34 waist and belt buckle tried to shimmy. I’ve been told in the past, during romantic endeavors, that I have ‘a booty like a black man’ – something I’ve always thought of as an attractive asset, but which, in this instance, was a real liability. ‘I think I’m too big, guys,’ I told my audience, ‘I’m wedged in!’ as giggles grew louder and escaped from the darkness of the tomb. I too began to chuckle, which was uncomfortable considering the added pressure of stone against my waist.

When I returned to the States and the Tonight Show, I shared my big ass adventure with one of the comedy writers for the show, Larry Jacobson. We both had a good chuckle when Larry added. “You know Dave, if you were Kim Kardashian you’d still be stuck in that tomb.

 

For those who have not experienced the backs streets of Naples on a Vespa. Compliments of my Italian brother Vittorio and myself.

The Enduring Wasp.

Eighteen countries. Five shock absorbers. Two bikers. One amazing adventure…. That’s what the back cover of the book- Long Way Down – describe within its pages. This was an epic journey by Ewan McGregor and Charley Boorman across the continent of Africa on two BMW R1200GS Adventure motorcycles. The book was a good read and I am envious of their adventure. I owned a bike once. Well, not a bike but a scooter, a Vespa scooter. I was the big white guy on a Vespa scooter riding from Burbank through Griffith Park to Los Feliz on my way to work. And, I loved that little white Vespa, So, you can only imagine that while I was in Italy my love for the little Vespa was reignited. Vespa, in Italian means Wasp and true to its name and nature the Wasps are everywhere and going in every direction including the sidewalks. It is nothing to see a family of three on a Vespa or a woman on a cell phone smoking a cigarette with a baby strapped to her bosoms on the streets of  Naples or Rome. The Vespa has it own filmgrpahy that goes from, “Quadrophenia” to“American Graffiti” and the most memorable of all “Roman Holiday”. For a scooter that was intended primarily to solve the problems of urban and intercity traffic the Vespa has a rich history of adventures. In 1997 journalist Giorgio Bettinelli started out from Chile, reaching Tasmania after three years and 150,000 km on his Vespa across the Americas.  Bettinelli continued his adventure to Siberia, Europe, Africa, Asia and Oceania. All in all, Bettinelli has travelled 254,000 km on a Vespa. Pierre Delliere, Sergeant in the French Air Force, reached Saigon in 51 days from Paris, going through Afghanistan. Few know that in 1980 two Vespa’s ridden by M. Simonot and B. Tcherniawsky reached the finishing line of the second Paris-Dakar rally.What do you think about that Mr. McGregor and Mr. Boorman ?  

 

images-8

This is the real story of my affair with Anita Ekberg. In 2012, I had written a very short paragraph of my first visit to the Trevi Fountain in Rome, Italy. I recounted how I found a spot away from the gaggle of tourist and for a moment had a short-term detachment from my immediate surroundings to relive the famous scene from Federico Fellini’s film, La Dolce Vita. In my daydream, I replayed the black and white scene of voluptuous Anita Ekberg wading through the fountain as her long blonde hair cascading down her back like the falling water’s behind her. The scene was glorious and lush with sensuality. Anita’s was wearing a strapless black evening gown with its plunging sweetheart neckline and seductively urging Mastroianni to join her in the fountain, 

“Marcello, come here, hurry up!”

All that was missing was Nino Rota’s music when suddenly, I’m back to reality when a tourist with a New Jersey accent asked if I would take a picture of him and his wife in front of the fountain. I was happy to do so, but I remember thinking that I would have loved to stayed little longer in the fantasy corridors of my mind with Anita.

 That’s what I wrote in 2012, but the real backstory is this. It happened one night at the age of thirteen when nature’s process of physical change presented itself while a tourist in slumber land. As I recall, I strolled from scene to scene of Fellini’s movie, La Dolce Vita (The Sweet Life). Unknown-3I’ve always dreamed in color but that night of adolescent awakening, my dream was in black and white and was accompanied with a soundtrack of skewed martini lounge music – which only added to the surreal atmosphere of the celluloid dream. Thinking back, I can only guess that my dream may have been prompted by watching La Dolce Vita on the local PBS station before going to bed. But once in rapid eye movement of deep sleep, I fell from reality to a fantasyland that I can still recall to this day. 

5846The transitions from scene to scene of my dream were preceded with burst of light from the cameras and flashbulbs of the “buzzing insects”, aka paparazzi. I would find myself in the background as a causal observer or a participant in each celluloid episode. Whether strolling among the ruins of Rome or on a luxurious balcony of Rome’s decadent and papered rich high above the City of Seven Hills. With another intense burst of light, I found myself on a Vespa speeding down the narrow lanes of Rome with a twin-lens reflex camera in hand as my fellow insects and I were in hot pursuit of Anita.  images-3

The climax of my dream came as I followed Anita down dimly lite cobbled maze of alleys while a tiny white kitten sat on her head,

“Meow”

“Meow”

“Oh hello”, Anita said turning towards me.

At that moment, my emotions and body began to feel different and quite strange. Here I was with the most unattainable dream woman of my youth, and to top that off, I was being acknowledged of my existence. images-9Before me, Anita wades in the Trevi fountain in her black strapless dress, voluptuous, glamorous, and oozing with sensuality.

“David, come here, hurry up!” Anita’s urging me as she reached out to me

“Hurry up!” she repeated.

Even thought I was lost in my dream, I could feel my heart racing and a fever of heat images-6building up the core of my body. As Anita touched the tips of my fingers, I stepped into the Trevi fountain and instantaneously in a whirlwind of flashing lights; Anita’s lips met mine. – I need not go any further, because it all about biology.

 On January 11, 2015 Anita Ekberg passed away on a Sunday morning in her home near Rome. As most men my age would say, “Forse, quando un sogno diventa una memoria, la memoria diventa un tesoro per la propria vita più dolce. Grazie Anita come bella era, arrivederci e velocità di Dio.”

(Perhaps, when a dream becomes a memory, the memory becomes a treasure to one’s own sweet life. Thank you Anita, how lovely it was, goodbye and God speed.)

 

Sanit of Sunset
After a midnight shoot in Hollywood at The House of Blues, I packed my camera gear and headed back to my car that was parked two blocks away on Sunset Boulevard. Stepping off the curb to cross N. Olive Drive, I had to dodge a fast moving black Escalade making a left hand turn off of Sunset which was followed by a contrail of ganja. A block away from my car I came upon the Saint of Sunset sitting on a small swatch of old red carpeting with his back resting against a chain link fence. As I approach he looked up and with bright eyes and a smile he said, “Good evening my friend.”
“And a good evening to you my friend and how is life treating you this fine evening?” I asked.
“Better now that you are here”, he said, “would you like a blessing?”
“yes”, I replied
Closing his eyes the Saint bowed his head whispering, “My friend and I are but actors in a theatre called earth, our stage is small but it is here where we rehears our play of life before the curtain closes.

cloud and light

There is something unique about Southern California light. Morning light is too short for the gold, midday leaves the gentle colors washed away, but at sunset when the blossoms close the alluring shades of light are flushed with an apricot tint with a lovely hue of lilac and pastels colors are reborn – or maybe it’s just the smog.