Life in the City of Angels: Budslap, Jaw Waggin – An Urban Story.

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Witty Metaphorical Monologue Intensifies.

“Jesus you are taking this very seriously bro… It was a joke, stop blithering about an argument we weren’t having over music. Nobody is putting you down, quit being so  fragile man. Lets just remain calm and put the thesaurus brain down on the ground nice and easy like.”

“Wow.. Thank you ..  you know I played your lists in the car… cheeky stuff… friends always ask .. “what’s that you’re listening to?” glad to oblige .. thanks again for your critique.. I’m a Gimini by the way .. been in bands & played all my life .. for me this is real musician’s music.” ..

“Sounds like some kind of a noir fetish man, where did you find that track at a tobacco shop ?… it’s so slow, listening to this, I couldn’t steady myself with too much scotch in the tank…. way too much smoke in my eyes bro. All I could think about was a pair of soft tits, hard balls and the alabaster stems of the wing feathers.. What is the connection man?..Is it the  connections that could keeps you alive or see me dead ? You are more cagier than a Soviet info broker and sharper than a Yakuza blade.”

“Wowww man, I’m shocked with your close minded taste of my music and an attitude of a femme fatal bitch…what did you have for breakfast…a can of dog food?  I wouldn’t even be tempted to playing violin at your mothers funeral… for a dollars man.”

“Dont worry man…you will die, just enjoy your music now. By the way – your heart doesnt want to die, it will fight for you and your body to the last microsecond when it will stop. Be grateful for the light that comes through your pupils, one day they will turn grey and you – you will would be gone forever and your stupid music will be forgotten.”

“Hey ! You ready for lunch ?” 

“Yeah, I’m hungry, your car or mine ?”

“Where do you want to go….Tally Rand or Los Amigos?”

Life in the City of Angels: LaMusica, Brass Is Not Dead !

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“Compared to What” Shooting Les McCann and Javon Jackson

Glenwood Recording Studio, Burbank, California

Les McCann

Les McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show . McCann reached the peak of his career in 1968 Montreux Jazz Festival, recording “Compared to What” with saxophonist Eddie Harris. After the success of Swiss Movement album, McCann — primarily a piano player — began to emphasize his rough-hewn vocals more. He became an innovator in the soul jazz style, merging jazz with funk, soul and world rhythms. He was also among the first jazz musicians to include electric piano, clavinet, and synthesizer in his music. In 1971 McCann and Harris were part of a touring group of soul, R&B, and rock performers which included Wilson Pickett,The Staple Singers, Santan and Ike & Tina Turner. McCann is also credited in discovering Roberta Flack and obtained an audition which resulted in a recording contract for Ms. Flack with Atlantic Records.

Les McCann and Javon Jackson prior to recording

Javon Jackson

In the mid 90’s  McCann suffered a stroke that weakened his keyboard playing but his powerful singing kept him on the road. McCann’s comeback was solidified in 2002’s  with “Pump It Up” a guest-heavy celebration of funk and jazz released on ESC Records. To commemorate the 40th anniversary of Swiss Movement album, tenor saxophonist Javon Jackson brought veteran McCann and a young trio of musicians to the KC Jazz Club for Swiss Movement Revisited. 

Javon Jackson, Patrick Smith/ Audio Mixer and Les McCann

Javon Jackson

Jackson is used to working with legends he cut his musical teeth with Art Blakey’s Jazz Messengers in the 1980s. He went on to record with such greats as the late Freddie Hubbard, Elvin Jones, Cedar Walton and Stanley Turrentine. Jackson leads his own group, and his latest release (Once Upon a Melody) hit No. 1 on the jazz radio charts.

Les McCann listening to the playback

In a 2009 Kennedy Center performance the interaction between Jackson, his young talented musicians and the old lion at the keyboard, Les McCann, reminded the audience that the old lion can still roar with heart.

Hearing the sweet note

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